‘Stories of survival against the odds are rarely as affecting as this.’ - The Reviews Hub

‘The story becomes increasingly driven by bouts of intense emotion, and Abigail Sage’s lighting follows suit. Sage is unafraid to play with snatches of darkness and flickering spotlights, and this works well alongside Kim’s writhing movement and director Anna Udras’ willingness to use the whole space.’ - BroadwayWorld ★★★★

‘Visually, the lighting design by Abbie Sage is simple and effective, complementing the clean colour palette and minimal set. Nothing feels excessive; the restraint allows the story to remain central.’ - West End Best Friend ★★★★